Title:
Various - The Digital Domain: A Demonstration download free
Performer:
Album:
The Digital Domain: A Demonstration
Country:
Genre:
Style:
Experimental
MP3 archive size:
1320 mb
FLAC archive size:
1936 mb
WMA archive size:
1792 mb
Other formats:
MP2 XM APE VOC WMA MP1 MP3
Rating:
4.4
Votes:
525
Download links
- 1936 downloads at 24 mb/s
MP3 album RAR archive
- 1792 downloads at 25 mb/s
FLAC album RAR archive
Tracklist Hide Credits
| 1 | –Loren Rush, James A. Moorer, Elliot Mazer, Janis Mattox | The Digital Domain | 7:34 |
| 2 | –Loren Rush | Study For ReverieSoprano Vocals – Renée Grant WilliamsTrombone – Stuart Dempster |
2:08 |
| 3 | –James A. Moorer | Lions Are GrowingNarrator [Reader] – Charles ShereWritten By [Text By] – Richard Brautigan |
2:29 |
| 4 | –Margaret Fabrizio | Hologram 9Harpsichord – Margaret Fabrizio |
3:49 |
| 5 | –Bill Schottstaedt | Colony V (Excerpt) | 2:32 |
| 6 | –Elliot Mazer | Specific RacquetballPerformer [Racquetball Player On Left] – Brent TauferPerformer [Racquetball Player On Right] – Mike KanaiRecorded By – Elliot Mazer |
0:58 |
| "Shaman (Excerpts)" (7 Through 9) | |||
| 7 | –Janis Mattox | Part I: Call To The Spirits (Excerpt)Congas – George Marsh |
2:18 |
| 8 | –Janis Mattox | Part II: Song From The Center Of The Earth (Excerpt) | 2:56 |
| 9 | –Janis Mattox | Part III: Passage (Excerpt) | 2:47 |
| 10 | –W. Andrew Schloss | Towers Of Hanoi (Excerpt) | 4:52 |
| 11 | –Elliot Mazer | Generic Racquetball | 0:59 |
| 12 | –Michael McNabb | Love In The Asylum (Excerpt) | 3:20 |
| 13 | –Janis Mattox | Venice Beach | 3:49 |
| 14 | –David Jaffe | Silicon Valley Breakdown (Excerpt) | 5:28 |
| 15 | –Phil Gossett, Elliot Mazer And Loren Rush | Foothill Park | 0:49 |
| 16 | –Mickey Hart And John Meyer | Helicopter | 3:43 |
| Test Section (17 Through 29) | |||
| 17 | –No Artist | Speaker Identification TestNarrator – Phil Gossett |
0:05 |
| 18 | –No Artist | Test Section AnnouncementDirected By – Elliot MazerNarrator – Phil GossettProducer – Loren Rush |
1:14 |
| 19 | –No Artist | 1002.273 Hz Square Wave @ -6 dB From Maximum | 0:31 |
| 20 | –No Artist | Pink Noise, Left Channel Only | 0:30 |
| 21 | –No Artist | Pink Noise, Right Channel Only | 0:30 |
| 22 | –No Artist | Pink Noise @ -26 dB With Emphasis | 0:30 |
| 23 | –No Artist | Pink Noise @ -26 dB No Emphasis | 0:30 |
| 24 | –No Artist | Pink Noise @ -46 dB With Emphasis | 0:30 |
| 25 | –No Artist | Pink Noise @ -46 dB With No Emphasis | 0:30 |
| 26 | –No Artist | 1 kHz Sine Wave @ -20 dB | 0:30 |
| 27 | –No Artist | 1 kHz Sine Wave @ -40 dB | 0:30 |
| 28 | –No Artist | 1 kHz Sine Wave @ -60 dB | 0:30 |
| 29 | –No Artist | Noise Floor Test, All Bits At "0" | 1:00 |
Companies, etc.
- Licensed From – Warner Special Products
- Made By – Sanyo
- Phonographic Copyright (p) – Elektra/Asylum Records
- Copyright (c) – Elektra/Asylum Records
Credits
- Art Direction – Ed Thrasher
- Artwork By [Cover Art From The Computer Film "arabesque"] – John Whitney
- Engineer [Digital Assistance] – Al McPherson , Arthur Yeap, Chris Chafe , David Haynes , Grant Smith , John Curl , John W. Gordon, Mark Dalrymple , Mike Shields, Phil Gossett, Stewart Whitmore
- Executive Producer – Mickey Kapp
- Management [Administration] – Patte Wood
- Producer – Elliot Mazer, Loren Rush
- Producer [Associate] – Janis Mattox
Notes
This edition's disc says, in all caps, "Made in Japan by Sanyo". It was released sometime after late 1984, when Sanyo started pressing CDs.A sampler of pieces made during the 1970's and early 1980's at the CCRMA Center at Stanford University, and a series of test tones for CD players.
Produced for Alisongs under license from Warner Special Products.
"CAUTION: There are some sounds on this disc that if played to loudly will seriously affect the dispusion [sic] of your sound system."
First CD released only in a digital format (i.e., not on record or cassette). A special release from the Center for Computer Research in Music and Acoustics (CCRMA) at Stanford University.
Digital engineering assistance: Audio and Design Inc., Concert Music Design, Digital Services, Digital Magnetics, E.M. Long Associates, Meyer Sound Labs, Modern Recorders, Sony Corporation and Ultra Sound.
Track 12's title was drawn from a poem by Dylan Thomas.
All selections BMI except where noted:
1 - Loren Rush (ASCAP)
3 - Text By Richard Brautigan (Dell Publishing Co.)
5 - Bill Schottstaedt (ASCAP)
12 - Michael McNabb (ASCAP)
Barcode and Other Identifiers
- Barcode: 0 7559-60303-2
- Matrix / Runout: 60303-2 606231
Other versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| 9 60303-2 | Various | The Digital Domain: A Demonstration (CD, SRC) | Elektra | 9 60303-2 | US | Unknown |
| 9 60303-2 | Various / No Artist | Various / No Artist - The Digital Domain: A Demonstration (CD, Album, Tar) | Elektra | 9 60303-2 | US | 1983 |
| 9 60303-2 | Various | The Digital Domain: A Demonstration (CD) | Elektra | 9 60303-2 | Japan | 1986 |
| 9 60303-2 | Various | The Digital Domain: A Demonstration (CD, Album, San) | Elektra | 9 60303-2 | US | Unknown |
| 9 60303-2 | Various / No Artist | Various / No Artist - The Digital Domain: A Demonstration (CD, Album, Tar) | Elektra | 9 60303-2 | 1983 |
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